{"id":9662,"date":"2022-03-23T13:29:56","date_gmt":"2022-03-23T10:29:56","guid":{"rendered":"https:\/\/aurads.com\/auradsa-european-property-awardstan-2-odul\/"},"modified":"2022-03-23T14:21:07","modified_gmt":"2022-03-23T11:21:07","slug":"auradsa-european-property-awardstan-2-odul","status":"publish","type":"post","link":"https:\/\/aurads.com\/tr\/auradsa-european-property-awardstan-2-odul\/","title":{"rendered":"AURADS&#8217;a European Property Awards&#8217;tan 2 \u00d6d\u00fcl"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; disabled_on=&#8221;off|off|off&#8221; admin_label=&#8221;Gallery&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#232323&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||60px||false|false&#8221; custom_padding_tablet=&#8221;0px||60px||false|false&#8221; custom_padding_phone=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;|60px||60px|true|true&#8221; custom_padding_phone=&#8221;|0px||0px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;9473,9451,9404,9402,9400,9398,9406&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.15.1&#8243; _module_preset=&#8221;default&#8221; pagination_text_color=&#8221;#FFFFFF&#8221; custom_css_gallery_pagination=&#8221;color: #dfdfdf\t !important;&#8221; custom_css_gallery_pagination_active=&#8221;color: #ffffff !important;&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;CONTENT&#8221; _builder_version=&#8221;4.15&#8243; background_color=&#8221;#232323&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; custom_padding_tablet=&#8221;30px|45px|30px|45px|true|true&#8221; custom_padding_phone=&#8221;30px|30px|30px|30px|true|true&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.15&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.15&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;CONTENT&#8221; _builder_version=&#8221;4.15.1&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;justified&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Ankara&#8217;n\u0131n l\u00fcks yerle\u015fim b\u00f6lgesi olan Beytepe ana bulvar\u0131 \u00fczerinde 10.177 m\u00b2\u2019lik arsa alan\u0131nda in\u015faat\u0131 devam eden Mira Rezidans\u2019\u0131n zarif tasar\u0131m\u0131, AURA Design Studio (AURADS) imzas\u0131n\u0131 ta\u015f\u0131yor. \u015eehrin iklimine ve k\u00fclt\u00fcr\u00fcne do\u011frudan yan\u0131t veren b\u00f6lgenin bir ticaret ve e\u011flence merkezi olarak rol\u00fcn\u00fc g\u00fc\u00e7lendirmek ve kente yeni bir a\u00e7\u0131k kamusal alan sa\u011flamak i\u00e7in tasarlanan bu s\u00fcrd\u00fcr\u00fclebilir konut ve ticaret yap\u0131s\u0131, uluslararas\u0131 arenada mimari ve i\u00e7 mimari bir\u00e7ok projenin yar\u0131\u015ft\u0131\u011f\u0131 European Property Awards kapsam\u0131nda \u201cResidential High Rise Architecture\u201d ve \u201cArchitecture Multiple Residence\u201d kategorilerinde iki \u00f6d\u00fcle birden lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n<p>Beytepe&#8217;nin en y\u00fcksek konut yap\u0131lar\u0131ndan biri olacak olan Mira Rezidans, tamamland\u0131\u011f\u0131nda 89 rezidans\u0131n yan\u0131 s\u0131ra bir\u00e7ok restoran, kafe, ma\u011faza, spor tesisi, spa ve ticari avluya ev sahipli\u011fi yapacak. Mimar Filiz Cingi Yurdakul liderli\u011findeki AURA Design Studio\u2019nun hem mimari projesini hem de i\u00e7 mekan tasar\u0131m\u0131n\u0131 \u00fcstlendi\u011fi \u00f6d\u00fcll\u00fc yap\u0131, Ankara\u2019n\u0131n ikonik tasar\u0131mlar\u0131ndan biri olmaya aday.<\/p>\n<p>Malzeme paleti, yaya ba\u011flant\u0131lar\u0131 ve manzaraya a\u00e7\u0131k mekan kurgular\u0131 ile \u00e7evredeki kentsel ba\u011flamla g\u00fc\u00e7l\u00fc g\u00f6rsel ve fiziksel ba\u011flant\u0131lar kuran projenin avlusunda yayalar\u0131n rahat eri\u015febilece\u011fi \u00e7ekici bir \u00e7evrenin yarat\u0131lmas\u0131na \u00f6zel \u00f6nem verilmi\u015f ve yap\u0131 tasar\u0131m\u0131, \u015fehri ve avluyu kamusal bah\u00e7elerle birle\u015ftirmi\u015f. Pandemi ko\u015fullar\u0131nda daha \u00e7ok tercih edilecek olan ticaret ve gastronomi \u00fcnitelerinin her biri \u00f6zel cephe dillerine ve teras alanlar\u0131na sahip.<\/p>\n<p>Y\u00fcksek rezidans mimarisi, enerji kullan\u0131m\u0131n\u0131 azaltmak i\u00e7in do\u011fal \u0131\u015f\u0131\u011f\u0131 ve havaland\u0131rmay\u0131 da kullanarak, s\u00fcrd\u00fcr\u00fclebilirlik i\u00e7in verimli olacak \u015fekilde tasarlanm\u0131\u015f. Rezidans, yeni yap\u0131n\u0131n siluetini tan\u0131mlamaya yard\u0131mc\u0131 olman\u0131n yan\u0131 s\u0131ra, yayalar\u0131 bulvara \u00fc\u00e7 y\u00f6nden ba\u011flayan bir podyum ile zemin kullan\u0131m\u0131n\u0131 hareketlendirir nitelikte. \u0130\u00e7 avluya ziyaret\u00e7iler i\u00e7in g\u00fcney, kuzey ve bat\u0131dan; proje sakinleri i\u00e7in ise do\u011fudan ba\u011flant\u0131 noktalar\u0131 d\u00fczenlenmi\u015f.<\/p>\n<p>Dairelerin i\u00e7 mekanlar\u0131, zarif ve i\u015flevsel yerle\u015fim tasar\u0131m\u0131yla \u00e7\u00f6z\u00fcl\u00fcrken rezidans yap\u0131s\u0131n\u0131n salon cepheleri a\u00e7\u0131k \u015fehir manzaras\u0131na hakim olmalar\u0131 i\u00e7in cam cephelerle tasarlanm\u0131\u015f; odalar i\u00e7in ise daha kontroll\u00fc cepheler tercih edilmi\u015f. Avluya ve \u015fehir manzaras\u0131na bakan malzeme paleti, a\u00e7\u0131k renkli ah\u015fap zeminleri, bej zemin seramiklerini ve beyaz ekru ah\u015fap panel detaylar\u0131n\u0131 bir araya getiriyor.<\/p>\n<p>24 katl\u0131 yap\u0131da, en \u00fcst katta yer alan \u00e7at\u0131 kat\u0131 dairesi haricinde \u00e7e\u015fitli daire tipleri yer al\u0131yor. \u0130ki tip kat \u00e7\u00f6z\u00fcm\u00fc yap\u0131lan yap\u0131n\u0131n her kat\u0131nda d\u00f6rt daire bulunuyor. Rezidans blo\u011fu giri\u015finde konumland\u0131r\u0131lan \u00e7ocuk kul\u00fcb\u00fc i\u00e7erisinde k\u00fc\u00e7\u00fck \u00e7ocuklar i\u00e7in oyun alanlar\u0131, gen\u00e7ler i\u00e7in \u00e7al\u0131\u015fma ve oyun odalar\u0131, do\u011fum g\u00fcn\u00fc partisi alan\u0131 ve k\u00fc\u00e7\u00fck bir kafe olu\u015fturulmu\u015f. Giri\u015f lobisinden ula\u015f\u0131lan toplant\u0131 odas\u0131na ise k\u00fc\u00e7\u00fck bir mutfak ve sa\u011fl\u0131k alanlar\u0131 yerle\u015ftirilmi\u015f. Birinci bodrum katta bulunan spor salonunun yan\u0131 s\u0131ra geni\u015f spor aktiviteleri i\u00e7in tercih edilecek olan bir teras kurgulanm\u0131\u015f. Yap\u0131da ayn\u0131 zamanda spa, hamam ve sinema odas\u0131 da bulunmakta.<\/p>\n<p>REFERANS<\/p>\n<p><a href=\"https:\/\/www.vbenzeri.com\/mimari\/aurads-european-property-awards\" target=\"_blank\" rel=\"noopener\">https:\/\/www.vbenzeri.com\/mimari\/aurads-european-property-awards<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ankara&#8217;n\u0131n l\u00fcks yerle\u015fim b\u00f6lgesi olan Beytepe ana bulvar\u0131 \u00fczerinde 10.177 m\u00b2\u2019lik arsa alan\u0131nda in\u015faat\u0131 devam eden Mira Rezidans\u2019\u0131n zarif tasar\u0131m\u0131, AURA Design Studio (AURADS) imzas\u0131n\u0131 ta\u015f\u0131yor. \u015eehrin iklimine ve k\u00fclt\u00fcr\u00fcne do\u011frudan yan\u0131t veren b\u00f6lgenin bir ticaret ve e\u011flence merkezi olarak rol\u00fcn\u00fc g\u00fc\u00e7lendirmek ve kente yeni bir a\u00e7\u0131k kamusal alan sa\u011flamak i\u00e7in tasarlanan bu s\u00fcrd\u00fcr\u00fclebilir konut [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9474,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"Antropologlar, n\u00f6rologlar, arkeologlar, sosyologlar ve sanat tarih\u00e7ilerinin bir araya gelerek y\u00fcr\u00fctt\u00fckleri, insan beynindeki estetik kodlar, estetik alg\u0131m\u0131z\u0131n kaynaklar\u0131 ve nas\u0131l y\u00f6nlendi\u011fi ile ilgili yap\u0131lan bilimsel \u00e7al\u0131\u015fmalar ve bu \u00e7al\u0131\u015fmalar\u0131n sonu\u00e7lar\u0131 biz mimarlar\u0131 da yak\u0131ndan ilgilendirmekte. \u0130yi bir mimari tasar\u0131m\u0131n sadece estetik a\u00e7\u0131dan ho\u015f bir g\u00f6r\u00fcn\u00fcm\u00fc olma durumunu a\u015fan a\u00e7\u0131k psikolojik ve fizyolojik faydalar\u0131 oldu\u011funu g\u00f6steren kapsaml\u0131 ara\u015ft\u0131rmalar da bu \u00e7al\u0131\u015fmalar\u0131 desteklemekte. \u00d6zensiz-geli\u015fig\u00fczel mimari tasar\u0131m ve uygulamalar ile bu durumun insanlar \u00fczerindeki olumsuz fizyolojik ve psikolojik etkileri aras\u0131nda do\u011frudan bir ba\u011flant\u0131 oldu\u011fu da bu ara\u015ft\u0131rmalar sonucunda anla\u015f\u0131lmakta.\r\n\r\nSon on y\u0131llarda, fonksiyonel beyin g\u00f6r\u00fcnt\u00fcleme metodolojilerinin h\u0131zl\u0131 b\u00fcy\u00fcmesi, bili\u015fsel sinirbilimin felsefe ve sosyal bilimlerde a\u00e7\u0131k sorular\u0131 ele almas\u0131na izin verdi. Bili\u015fsel sinirbilim ara\u015ft\u0131rmalar\u0131 aras\u0131ndan yeni anlay\u0131\u015flar \u00e7e\u015fitli disiplinleri etkilemeye ba\u015flad\u0131 ve bu da planlama ve mimari tasar\u0131m alanlar\u0131nda farkl\u0131 bir bilin\u00e7 ve alg\u0131ya d\u00f6n\u00fc\u015fmeye yol a\u00e7t\u0131.\r\n\r\nZihin ve davran\u0131\u015flar\u0131n n\u00f6robiyolojik temellerini ke\u015ffetmek i\u00e7in yeni y\u00f6ntemler, mimari\u00a0<em>(\u00f6r. Mallgrave, 2011)<\/em>, planlama ve kentsel \u00e7al\u0131\u015fmalar\u00a0<em>(Portugali, 2004, 2011; van der Veen, 2012; de Lange, 2013)<\/em>\u00a0, co\u011frafya\u00a0<em>(Anderson ve Smith, 2001)<\/em>, sosyal bilimler ve be\u015feri bilimler\u00a0<em>(Leys, 2002)<\/em>\u00a0bili\u015fsel sinirbilime ve daha \u00f6zel olarak beyin g\u00f6r\u00fcnt\u00fclemeye a\u00e7\u0131lmaktad\u0131r. N\u00f6ro-ekonomi, n\u00f6ro-hukuk, n\u00f6ro-pazarlama ve hatta n\u00f6ro-mimari gibi yeni \u2018n\u00f6ro\u2019 \u00f6n d\u00fczeltmeli yeni disiplinler aras\u0131 alanlar ortaya \u00e7\u0131km\u0131\u015ft\u0131r. \u00c7ok \u00e7e\u015fitli alanlara y\u00f6nelik bir n\u00f6ro bilimsel yakla\u015f\u0131m\u0131n, farkl\u0131 alanlara deneysel temelli kan\u0131t par\u00e7alar\u0131 sunabildi\u011fi kan\u0131tlanm\u0131\u015ft\u0131r.\r\n\r\nG\u00fcn\u00fcm\u00fczde \u00e7ok boyutlu alg\u0131sal entegrasyon ve dokunma duyusunun mimari tasar\u0131mdaki rol\u00fc \u2018hapticity\u2019 kavram\u0131 ile ara\u015ft\u0131r\u0131lmaktad\u0131r. \u2018Hapticity\u2019 terimi yayg\u0131n olarak \u201cbedensel alg\u0131lar\u0131n duyusal entegrasyonu\u201d olarak tan\u0131mlan\u0131r\u00a0<em>(Pallasmaa, 2005, 2000)<\/em>\u00a0ve mimari deneyimde dokunsal temelli (yani genel olarak g\u00f6rsel olmayan temelli) alg\u0131 ve g\u00f6r\u00fcnt\u00fclerin \u00e7ok \u00f6nemli bir rol\u00fcn\u00fc ortaya koymaktad\u0131r. Finlandiyal\u0131 mimar ve teorisyen Pallasmaa, mimari takdirin temelini olu\u015fturacak ve ilkel duyusal y\u00f6ntem olarak hissetmeyi y\u00fcceltecek bir \u201cAlg\u0131da bilin\u00e7siz dokunsal bile\u015fen\u201d varl\u0131\u011f\u0131n\u0131 varsaymaktad\u0131r\u00a0<em>(Pallasmaa, 2005)<\/em>.\r\n\r\nBug\u00fcn tasar\u0131ma verilen psikolojik ve fizyolojik tepkilerin \u00e7o\u011funun insan\u0131n evrimsel temellerinden kaynakland\u0131\u011f\u0131n\u0131 daha iyi anl\u0131yoruz. \u015eu anda sahip oldu\u011fumuz bilgi ve teknolojiyi kullanarak, sadece estetik a\u00e7\u0131dan g\u00fczel de\u011fil, daha da \u00f6nemlisi psikolojik ve fizyolojik olarak iyile\u015ftirici ve ayn\u0131 zamanda estetik bir mimari yaratma f\u0131rsat\u0131na sahibiz.\r\n\r\n\u0130nsan davran\u0131\u015f\u0131, \u00f6nemli \u00f6l\u00e7\u00fcde, i\u00e7inde bulundu\u011fu ortam ve o ortam i\u00e7inde var olan kaynaklar taraf\u0131ndan belirlenir. Bir insan\u0131n mimari bir yap\u0131ya olan tepkilerinin temel iki fakt\u00f6re ba\u011fl\u0131 oldu\u011fu s\u00f6ylenebilir;\r\n<ul>\r\n \t<li>Yap\u0131ya ili\u015fkin fakt\u00f6rler: \u00c7evresi, karma\u015f\u0131kl\u0131\u011f\u0131-fonksiyon ak\u0131\u015fkanl\u0131\u011f\u0131, yenilik etkisi, i\u00e7inde tekrar eden d\u00fczenler bar\u0131nd\u0131rmas\u0131,<\/li>\r\n \t<li>Bireye ili\u015fkin fakt\u00f6rler: Bireyin ge\u00e7mi\u015f \u00e7evre deneyimleri, kal\u0131tsal kodlar\u0131, o yap\u0131da ge\u00e7irdi\u011fi s\u00fcre, ki\u015filik \u00f6zellikleri, e\u011fitimi (mimarl\u0131k ve sanat a\u011f\u0131rl\u0131kl\u0131 e\u011fitim alan ki\u015filerin tepkileri de\u011fi\u015febilmektedir.)<\/li>\r\n<\/ul>\r\nGenel tan\u0131mlamalar\u0131n ve somut de\u011ferlendirmelerin yan\u0131 s\u0131ra; her insan benzersiz oldu\u011fu i\u00e7in, her bireyin karma\u015f\u0131kl\u0131k kar\u015f\u0131s\u0131nda, k\u0131smi ve ge\u00e7mi\u015f deneyimlerden kaynaklanan \u00e7evresel uyaranlara verdi\u011fi tepkileri farkl\u0131 olabilece\u011finden tercihleri de farkl\u0131 olabilir. Bireyler, haf\u0131zalar\u0131ndaki deneyimlerle de tan\u0131mlanan hayatta kalma ihtiya\u00e7lar\u0131na \u00f6zel olarak en yararl\u0131 bulduklar\u0131 \u00f6zelliklere sahip olarak ya\u015fama iste\u011findedirler.\r\n\r\nKonuyu ba\u015fka bir a\u00e7\u0131dan ele ald\u0131\u011f\u0131m\u0131zda ise, \u00fczerinde mimari yap\u0131lar in\u015fa etti\u011fimiz ve birlikte ya\u015fad\u0131\u011f\u0131m\u0131z toplumun kolektif zihnini anlamak; ger\u00e7ekli\u011fin, efsanelerin ve hayal g\u00fcc\u00fcn\u00fcn topraklar\u0131nda mimarl\u0131k yapmak i\u00e7in bu co\u011frafyan\u0131n ilham\u0131n\u0131 ta\u015f\u0131yan mimarinin izlerini s\u00fcrmek de yine n\u00f6ro-estetik yakla\u015f\u0131mla yeni bir boyut kazanabilir.\r\n\r\n\u201cG\u00fcnl\u00fck ya\u015famlar\u0131m\u0131z\u0131 kaplayan anlams\u0131zl\u0131k hissi, bu \u2018ilk\u2019in kayb\u0131ndan m\u0131 kaynaklanmaktad\u0131r?\u201d\u00a0<em>(Frank Llyod Wright, An American Architecture, 1955)<\/em>\u00a0ya da Heideggervari bir yakla\u015f\u0131mla mimarinin \u00f6z\u00fc, anlam\u0131 kodlar\u0131m\u0131zda m\u0131 gizlidir? Mimari yap\u0131lar\u0131n i\u015fe yarar bir s\u0131\u011f\u0131nak olman\u0131n \u00f6tesine ge\u00e7i\u015f s\u0131rr\u0131n\u0131 \u00e7\u00f6zebilir mi? Ya\u015fam\u0131n, \u00f6l\u00fcm\u00fcn, \u00f6l\u00fcms\u00fczl\u00fc\u011f\u00fcn, an\u0131tsall\u0131\u011f\u0131n ve k\u00fclt\u00fcrel izlerin bulu\u015fma noktas\u0131nda mimarinin yerini daha da somutla\u015ft\u0131rabilir mi?\r\n\r\nN\u00f6ro-bilimlerin mek\u00e2nlar\u0131n tasar\u0131m\u0131na biyolojik olarak ilham veren i\u00e7g\u00f6r\u00fcleri bizlere sunmay\u0131 vaat etmesi ve disiplinler aras\u0131 yakla\u015f\u0131mlar; insanlar\u0131n davran\u0131\u015f, sa\u011fl\u0131k ve esenlikleri i\u00e7in geli\u015fimlerine katk\u0131da bulunacak ortamlar\u0131n olu\u015fumunu desteklemektedir.\r\n\r\n\u0130ki bin y\u0131l \u00f6nce, Vitruvius \u2018yap\u0131n\u0131n g\u00fczelli\u011fini\u2019 mimari tasar\u0131m\u0131n \u00fc\u00e7 temel boyutundan biri olarak vurgulam\u0131\u015ft\u0131. Vitruvius \u00fc\u00e7l\u00fcs\u00fc ile. 1. Yap\u0131n\u0131n g\u00fc\u00e7l\u00fc ve stabil olmas\u0131 (firmitas), yap\u0131da ya\u015fayanlar\u0131n fonksiyonel ihtiya\u00e7lar\u0131n\u0131 kar\u015f\u0131lamas\u0131 (utilitas) ve 3.olarak da estetik duygular\u0131na hitap etmesi gereklili\u011fi yap\u0131n\u0131n vazge\u00e7ilmez \u00fc\u00e7 unsuruydu. D\u00fcnyadaki bir\u00e7ok k\u00fclt\u00fcr; estetik deneyimi insan yap\u0131s\u0131nda hayati bir unsur olarak g\u00f6rm\u00fc\u015ft\u00fcr. Yine binlerce y\u0131l boyunca, Hint Vastu ve \u00c7in Feng Shui gibi tarihi do\u011fu in\u015faat uygulamalar\u0131, in\u015fa edilmi\u015f ortamda uzamsal uyum ve estetik tutarl\u0131l\u0131k yaratmak i\u00e7in somut rehberler sunmu\u015ftur.\r\n\r\nMalzeme tasar\u0131m\u0131 ve yap\u0131 m\u00fchendisli\u011findeki ilerlemeler, daha \u00f6nce hi\u00e7 olmad\u0131\u011f\u0131 kadar uzun \u00f6m\u00fcrl\u00fc ve sa\u011flam binalar\u0131n in\u015fas\u0131na olanak tan\u0131d\u0131ktan sonra; bu e\u011filim, yakla\u015f\u0131k bir as\u0131r \u00f6nce ba\u015flayan, yap\u0131n\u0131n bir makine olarak g\u00f6r\u00fclmesi kavram\u0131n\u0131n ve onunla ili\u015fkili olarak \u00a0\u201cform i\u015flevi izler\u201d inanc\u0131 ile farkl\u0131 bir boyut kazand\u0131. Frank Lloyd Wright yap\u0131lar\u0131nda form i\u015flevseli izliyordu fakat oransal ve estetik inceliklerle. Ayn\u0131 oransal incelikleri izlemeyen sadece i\u015flevsellik ta\u015f\u0131yan yap\u0131lar\u0131n \u00e7o\u011falmas\u0131 ise sa\u011fl\u0131\u011f\u0131m\u0131z\u0131 da etkileyen i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z y\u00fczy\u0131l\u0131n en olumsuz sorunlar\u0131ndan biri.\r\n\r\nGeli\u015fig\u00fczel yap\u0131lar\u0131n bask\u0131n yo\u011funlu\u011fu d\u0131\u015f\u0131nda ise son y\u0131llardaki mimari e\u011filim, yap\u0131n\u0131n insan deneyimine olan katk\u0131s\u0131. Bug\u00fcn, kentlerde bir\u00e7ok insan hayatlar\u0131n\u0131n % 90\u2019\u0131n\u0131 binalarda ge\u00e7irmekte\u00a0<em>(Evans ve McCoy, 1998)<\/em>. \u00c7al\u0131\u015fmalar mimarl\u0131\u011f\u0131n estetik niteliklerinin ruh hali, bili\u015fsel i\u015flevler, davran\u0131\u015flar ve hatta ruh sa\u011fl\u0131\u011f\u0131m\u0131z \u00fczerinde bir etkiye sahip oldu\u011funu g\u00f6stermektedir\u00a0<em>(Adams, 2014; Cooper, Burton ve Cooper, 2014; Hartig, 2008; Joye, 2007).<\/em>\r\n\r\nEdmund Burke\u2019un belirtti\u011fi gibi \u201cG\u00fczellik, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde, duyular\u0131n m\u00fcdahalesi ile insan zihnine mekanik olarak etki eden bedenlerdeki kalitedir\u201d\u00a0<em>(Burke, 1767, p. 175)<\/em>. Duyusal a\u011flar mimari deneyimin anahtarlar\u0131d\u0131r. \u00c7evresel \u00f6zellikler; g\u00f6rsel, i\u015fitsel, somatosensoriyel sistem, vestib\u00fcler ve koku alma sinir a\u011flar\u0131m\u0131z\u0131 farkl\u0131 \u015fekilde uyar\u0131r. Bu duyumlar, nesnelerin uygunlu\u011fu, yakla\u015fma ve ka\u00e7\u0131nma tepkileri ve in\u015fa edilmi\u015f alanlarda gezinme gibi alt motor tepkilerine ba\u011fl\u0131d\u0131r\u00a0<em>(Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience, Alex Coburn, Oshin Vartanian, Anjan Chatterjee).<\/em>\r\n\r\nYine ara\u015ft\u0131rmalar insan beyninin estetik alg\u0131s\u0131nda do\u011fa kal\u0131plar\u0131n\u0131n ciddi bir yeri oldu\u011funu g\u00f6steriyor. Beynimizin do\u011faya benzer g\u00f6rselleri tan\u0131mas\u0131n\u0131n do\u011frudan bir sonucu olan bu durumun stresi azaltma yetenekleri de var. Do\u011fal tasar\u0131m \u00f6\u011felerinin olumlu etkisi, geli\u015fmi\u015f bir psikolojik refah duygusundan daha derine inebilir. \u0130yile\u015ftirici ortamlar, ad\u0131ndan da anla\u015f\u0131laca\u011f\u0131 gibi, iyile\u015fme s\u00fcre\u00e7lerini te\u015fvik eden\u00a0 ortamlard\u0131r. Sadece do\u011fayla ve bu ortamlarla temas halinde olmak, bu s\u00fcreci harekete ge\u00e7irmek i\u00e7in yeterli olabilir.\r\n\r\nDo\u011fa ile birlikte hareket eden organik mimarinin yan\u0131 s\u0131ra do\u011fay\u0131 birebir taklit eden yap\u0131lar da mimarl\u0131k tarihimizin bir par\u00e7as\u0131.\r\n\r\n[caption id=\"attachment_4554\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4554 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/Sagrada-Familia-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: All Canada Photos \/ Alamy Stock Photo)[\/caption]\r\n\r\nGaudi\u2019nin \u0130spanya, Barselona\u2019daki eserlerinin en iddial\u0131s\u0131 Sagrada Familia katedralidir. Katedralin muhte\u015fem i\u00e7 mekan\u0131, duaya davet eden bir orman fikrinden ilham al\u0131r. A\u011fa\u00e7 benzeri s\u00fctunlar, destek i\u00e7in \u00e7at\u0131n\u0131n yak\u0131n\u0131nda dallan\u0131r ve aralar\u0131nda \u00e7at\u0131 pencereleri \u0131\u015f\u0131\u011f\u0131 yans\u0131tan ye\u015fil ve alt\u0131n renkli camlar i\u00e7erir.\r\n\r\n[caption id=\"attachment_4555\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4555 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/National-Taichung-Theater-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: Chao-Yang Chan \/ Alamy Stock Photo)[\/caption]\r\n\r\nToyo Ito, Tayvan\u2019\u0131n Taichung \u015fehrinde Ulusal Taichung Tiyatrosu tasar\u0131m\u0131 i\u00e7in kayalar\u0131n, ma\u011faralar\u0131n ve suyun ak\u0131\u015f\u0131ndan ilham alm\u0131\u015ft\u0131r.\r\n\r\n[caption id=\"attachment_4556\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4556 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/Eden-Project-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: Caitlin Mogridge\/Redferns via Getty Images)[\/caption]\r\n\r\n\u0130ngiltere, Cornwall\u2019daki Bodelva k\u00f6y\u00fcn\u00fcn yak\u0131n\u0131ndaki bir kil \u00e7ukurunda yer alan Eden Projesi, tropikal ya\u011fmur ormanlar\u0131ndan ve Akdeniz\u2019den ola\u011fan\u00fcst\u00fc bir bitki t\u00fcr\u00fc koleksiyonuna ev sahipli\u011fi yapmaktad\u0131r. Mimar Nicholas Grimshaw\u2019un devasa \u015feffaf yar\u0131 k\u00fcresel tasar\u0131mlar\u0131, sabun k\u00f6p\u00fc\u011f\u00fc \u015feklinden ilham alarak, binan\u0131n \u201c\u00c7ekirdek\u201d e\u011fitim merkezi, \u00e7am kozalaklar\u0131, ananas, ay\u00e7i\u00e7e\u011fi ve salyangoz kabuklar\u0131 gibi bir\u00e7ok do\u011fal nesnede bulunan Fibonacci spiral desenini taklit etmektedir.\r\n\r\n[caption id=\"attachment_4557\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4557 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/Algae-house-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: Novarc Images \/ Alamy Stock Photo)[\/caption]\r\n\r\nAlmanya\u2019n\u0131n Hamburg\u2019daki ola\u011fan\u00fcst\u00fc \u201cyosun evi\u201d veya BIQ binas\u0131 asl\u0131nda canl\u0131 maddeleri \u2013 mikroalgleri \u2013 tasar\u0131m\u0131na dahil ediyor. Ye\u015fil renkli kulenin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde \u015feffaf y\u00fczeyinin bir taraf\u0131nda, binaya giren \u0131\u015f\u0131\u011f\u0131 kontrol edebilen ve gerekti\u011finde g\u00f6lge sa\u011flayabilen k\u00fc\u00e7\u00fck, b\u00fcy\u00fcyen algler bulunuyor. Bu cephe ayn\u0131 zamanda d\u00fcnyan\u0131n ilk \u201cbiyoreakt\u00f6r cephesi\u201d \u00f6rne\u011fidir. \u015eeffaf kabuk i\u00e7erisinde \u00fcretilen algler, binan\u0131n y\u00fczeyinden ge\u00e7en bir su devresi ile s\u00fcrekli olarak besinler ve karbondioksit ile beslenir. Algler bir g\u00fcne\u015f filtresi olu\u015fturur. Yeterli miktarda yosun b\u00fcy\u00fcd\u00fc\u011f\u00fcnde binaya tedarik i\u00e7in biyogaz (hammaddelerden yap\u0131lm\u0131\u015f yenilenebilir bir enerji kayna\u011f\u0131) yapmak i\u00e7in hasat edilebilir ve kullan\u0131labilir hale geliyor. Bu ak\u0131ll\u0131 bina 2013\u2019te Hamburg\u2019daki Uluslararas\u0131 Yap\u0131 Fuar\u0131 i\u00e7in bir prototip olarak tamamlanm\u0131\u015ft\u0131.\r\n\r\n<a href=\"http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature\" target=\"_blank\" rel=\"noopener\">http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature<\/a>\r\n\r\nBir ba\u015fka \u00f6rnek ise Don Ruggles\u2019\u0131n 2017\u2019 de tespit etti\u011fi bir\u00e7ok tarihi ve estetik mimari yap\u0131n\u0131n 9 kare desenine uygun olarak tasarland\u0131\u011f\u0131d\u0131r. Dokuz Kare deseninin mimaride pop\u00fclerli\u011fine katk\u0131da bulunan bir di\u011fer \u00f6nemli fakt\u00f6r\u00fcn, insan y\u00fcz\u00fcn\u00fcn yap\u0131s\u0131na benzerli\u011finde bulunabilir. Y\u00fcz tan\u0131ma insan \u0131rk\u0131n\u0131n en b\u00fcy\u00fck hayatta kalma adaptasyonlar\u0131ndan biridir. Asl\u0131nda, bu o kadar kritiktir ki, yeni do\u011fmu\u015f bir \u00e7ocukta beynin n\u00f6ronal yap\u0131s\u0131n\u0131n% 65\u2019i y\u00fcz tan\u0131ma mekanizmalar\u0131na ayr\u0131lm\u0131\u015ft\u0131r. Buna ek olarak, y\u00fcz tan\u0131ma, kimlik, ya\u015f, cinsiyet ve duygu gibi \u015feyler de dahil olmak \u00fczere, bir zamanlar hayatta kalmak i\u00e7in gerekli olan bir \u00e7ok \u00f6nemli sosyal ipu\u00e7lar\u0131n\u0131n belirlenmesine yard\u0131mc\u0131 oluyordu.\r\n\r\n<img class=\"alignnone wp-image-4558 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/9-1024x300.png\" alt=\"\" width=\"1024\" height=\"300\" \/>\r\n\r\n9 kare desenine uygun olarak tasarlanm\u0131\u015f yap\u0131lardan baz\u0131lar\u0131; Barselona\u2019n\u0131n blok plan\u0131, Roma\u2019daki St.Peter Bazilikas\u0131, Hindistan\u2019daki Yunan Parthenon, Roma Pantheon ,Taj Mahal, Su evi, Richard Meier\u2019in 1965 Frederick J. Smith\u2019in \u0130kametgah\u0131 gibi\u00a0<em>(The Psychological Impact of Architectural Design, Natalie Ricci, December 4, 2017).<\/em>\r\n\r\nMimari tasar\u0131m alan\u0131n\u0131 yanl\u0131\u015f bir \u015fekilde bir sanat formu olarak etiketleyen ve b\u00f6ylece ger\u00e7ek toplumsal yarar potansiyeli olan bir alan olarak hak etti\u011fi anlaml\u0131 konumdan uzakla\u015fan mimari yap\u0131 anlay\u0131\u015f\u0131n\u0131 tekrar g\u00f6zden ge\u00e7irmemiz gereklidir. Mimarl\u0131\u011f\u0131n olumlu psikolojik ve onar\u0131c\u0131 etkisi, toplum taraf\u0131ndan de\u011fil, sadece psikologlar ve mimarlar taraf\u0131ndan g\u00f6r\u00fcl\u00fcrse de d\u00fc\u015f\u00fcncesiz-geli\u015fig\u00fczel mimari tasar\u0131mlar\u0131n psikolojik etkileri asla toplum taraf\u0131ndan ele al\u0131nmayacakt\u0131r. Y\u00fcksek k\u00fclt\u00fcrlerin d\u00fcnya \u00fczerine b\u0131rakt\u0131klar\u0131 izleri an\u0131tlar\u0131nda, evlerinde, k\u0131rsal alanlar\u0131nda, dini ve k\u00fclt\u00fcrel yap\u0131lar\u0131nda izleyebiliriz. Bu durum bizlerin de tarihe k\u00fclt\u00fcr\u00fcm\u00fczle ilgili b\u0131rakmak istedi\u011fimiz izler ile ilgilidir.\r\n\r\nKaynaklar:\r\n<ol>\r\n \t<li>Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience, Alex Coburn, Oshin Vartanian, Anjan Chatterjee 9, 2017<\/li>\r\n \t<li>The Psychological Impact of Architectural Design, Natalie Ricci, December 4, 2017<\/li>\r\n \t<li>When Neuroscience \u2018Touches\u2019 Architecture: From Hapticity to a Supramodal Functioning of the Human Brain, Paolo Papale, Leonardo Chiesi, Alessandra C. Rampinini, Pietro Pietrini and Emiliano Ricciardi 6, 2016<\/li>\r\n \t<li><a href=\"http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature\">http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature<\/a><\/li>\r\n \t<li><a href=\"https:\/\/www.bbc.com\/future\/article\/20170605-the-psychology-behind-your-citys-design\">https:\/\/www.bbc.com\/future\/article\/20170605-the-psychology-behind-your-citys-design<\/a><\/li>\r\n<\/ol>","_et_gb_content_width":"","rank_math_lock_modified_date":false,"footnotes":""},"categories":[17],"tags":[139],"class_list":["post-9662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press","tag-vbenzeri"],"acf":[],"_links":{"self":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/9662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/comments?post=9662"}],"version-history":[{"count":0,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/9662\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/media\/9474"}],"wp:attachment":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/media?parent=9662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/categories?post=9662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/tags?post=9662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}