{"id":6661,"date":"2022-02-08T12:55:16","date_gmt":"2022-02-08T09:55:16","guid":{"rendered":"https:\/\/aurads.com\/?p=6661"},"modified":"2022-03-04T11:27:10","modified_gmt":"2022-03-04T08:27:10","slug":"bandirma-tasarim-parki-yarismasi","status":"publish","type":"post","link":"https:\/\/aurads.com\/tr\/bandirma-tasarim-parki-yarismasi\/","title":{"rendered":"Band\u0131rma Tasar\u0131m Park\u0131 Yar\u0131\u015fmas\u0131"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; disabled_on=&#8221;off|off|off&#8221; admin_label=&#8221;Gallery&#8221; _builder_version=&#8221;4.14.7&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#232323&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||60px||false|false&#8221; custom_padding_tablet=&#8221;0px||60px||false|false&#8221; custom_padding_phone=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.14.7&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;|60px||60px|true|true&#8221; custom_padding_phone=&#8221;|0px||0px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.14.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;6663,6665,6667,6669,6671,6673,6675,6677,6679,6681,6683,6685,6687&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.14.7&#8243; _module_preset=&#8221;default&#8221; pagination_text_color=&#8221;#FFFFFF&#8221; custom_css_gallery_pagination=&#8221;color: #dfdfdf\t !important;&#8221; custom_css_gallery_pagination_active=&#8221;color: #ffffff !important;&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;CONTENT&#8221; _builder_version=&#8221;4.14.6&#8243; background_color=&#8221;#232323&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; custom_padding_tablet=&#8221;30px|45px|30px|45px|true|true&#8221; custom_padding_phone=&#8221;30px|30px|30px|30px|true|true&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.14.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;CONTENT&#8221; _builder_version=&#8221;4.14.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;justified&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>A Future Habitat Recall: Band\u0131rma Urban Park<\/strong><\/p>\n<p>This Recall of a Habitat for the future finds its existence on Band\u0131rma Urban Park, i.e., given competition site. The project dwells upon the idea of maintaining the existing urban and natural contexts and architectural heritage, and integrating new proposal to Band\u0131rma urban culture. The project takes Band\u0131rma as one of the major cultural, industrial, and touristic towns of Turkey that is conceptually and functionally located at the very dynamic junction of two seas, i.e., Agean and Marmara. The new park proposal represents the most public assets of Band\u0131rma, such as green, social, educative, technological, and recreational, on one hand and offers new accommodation types via four and five star self-sufficient hotels, and commercial models in more urban, humane, and natural environments.<\/p>\n<p><strong>Conceptual Agenda of a Habitat Recall<\/strong><\/p>\n<p>Nature and Culture are two crucial notions of the Urban Park to appreciate and to sustain existing assets and contextual qualities, such as migrant birds&#8217; pools, port(s), dense vegetation, military barrack and watch tower ruins, inherited circulation patterns, directional nodes, and to make it more resilient for changing conditions. The project site is considered as the catalyst or rather as the generator of new urban functions that are strategically planned for Band\u0131rma. Some design concepts are the essentials of the future habitat project: mobility; accessibility; flexibility; balance; extension; variety; and connectivity.<\/p>\n<p>There are certain term couples metaphorically and architecturally considered and designed via Band\u0131rma Urban Park, by (re)claiming meaning of a habitat, i.e., the port and the station; art and industry; design and technology; and birds and winds.<\/p>\n<p><strong>Routes and Gates of Panormos<\/strong><\/p>\n<p>The main scheme of the project, as in site plan, is derived from the directions, edges, and thresholds of the site. The History Route is symbolized by the Biological Bridge coming from the Ancient City \/ Archaeological Site, climbing towards the Ancient Gate on the south-east direction, and being completed by the Main Alley of the Urban Park. Sea Route refers to \u0130stanbul and Panormos &#8211; the Old Protected Port and is completed by the New Port as the northern gate at the west. The major axis connecting the City of Band\u0131rma to Erdek and to the west is called City Route or Route 10, and major entrance of the Urban Park with the funicular system, the tram station, and management units is the Urban Gate, welcoming Band\u0131rma to the Activity Corridor of the Park.<\/p>\n<p><strong>Chains of Nature<\/strong><\/p>\n<p>Natural heritage of Bal\u0131kesir in general, Band\u0131rma in particular is totally protected by means of flora and fauna. The natural cycles existing on the site are retained by using topography for designing multiple layers of the Urban Park, by thematic gardens of Bal\u0131kesir flora and endemic plants of the region, by designing birds&#8217; pools, preserving rural landscape and wetlands, and nests on the bird migration routes, and considering seasonal changes for new park design. For instance, on the northern edge of the site wind curtains, covered by thin film in order not to harm birds, are proposed to minimize climatic effects. All trees and major shrub spots existed on the site are kept as they are, and green texture is expanded towards Band\u0131rma by means of plant corridors, wooded areas, and wetlands.<\/p>\n<p>Recycling and waste management are also crucial issues to be considered for production \u2013 consumption chain of the Band\u0131rma Urban Park. Particularly rain water collection and reusing containers, and solid waste recycling units are designed in the Urban Park.<\/p>\n<p><strong>Multi-Functionality and Architectonics of Urban Park<\/strong><\/p>\n<p>The overall scheme of the proposal is dwelt upon the idea of nature \u2013 culture interaction. Particularly The major axis of the proposal, running along northwest and southeast directions, the Main Alley, carries basically main transportation modes, and new urban functions. The Design Bazaar runs parallel to the Alley and holds it at the south by its linearity and transparency, respecting surrounding historical, registered buildings. The preserved and restored military buildings as if they are fingers of the park towards the Marmara Sea, and linear landscape elements on the south as natural lanes of the rural landscape heritage complete each other. The existing buildings are renovated as retail shops and commercial units, and new steel-glass structural annexes as art galleries. The Bazaar creates a green illusion, by its glazed fa\u00e7ade surfaces, translucent roof cover, reflecting all surrounding plantation in front, at the back, and on both sides. The Design Bazaar and other commercial units, in the form of open, semi-closed, and closed spaces, include several design functions, and serve for furniture, jewellery, textile, handicraft, accessories, housewares, and cuisine workshops revealing ancient regional heritage.<\/p>\n<p>Five-star Hotel, resembling ancient healing tradition and spirit of Panderma, is designed as a Remedial Hotel and located at the northern end of the site as an independent entity by all functions of integrated wellness, i.e., detox centre, medical healing, weight loss, chiropractic treatment, and a sports club. A well-tailored spa is proposed to offer &#8216;urban cure&#8217; for Band\u0131rma people and visitors, programs like osteopathy, psychology, nutrition, life coaching, and naturopathy.<\/p>\n<p>The north-south direction is particularly emphasized by the mega but carved, solid but flexible, closed but extraverted, mono-block architecture including the Design Institute, the Four-star Hotel, and the Convention Centre. This mono-block is called as the Living Wall of the Band\u0131rma Urban Park, a new interpretation of a wall in an extreme transparent and flexible way. The ground level of the block, Design Institute, serves totally for the public. Since the intention is to preserve natural aspects as they are and integrating architecture to them, keeping trees here, there are huge holes in and on the mass open to the sky. Open accessibility and dynamism brings a new free space. Flowing soft and hard landscape, a multi-purpose open-air theatre, a bookstore, and park administration are the major functions. These new design and learning spaces, scheduled festivals and ceremonies, cuisine ateliers and services will bring a future for Band\u0131rma. The Hotel principally serves for students, researchers, academicians, and their families based on the accommodation model of living \u2013 producing &#8211; experiencing together. Different than conventional four-star hotels this Student Hotel has play areas, a performance stage, study rooms, lounges, and sports areas. The Hotel is bridged to the Design Institute. The Convention Centre is connected to the five-star Remedial Hotel and the Design Institute with its sea-viewed terrace to be used as the main foyer.<\/p>\n<p>There are several car parking areas throughout the Urban Park and the only open-air one is at the southeast, between the Ancient Route and the Route 10. Other closed and underground car parking have three entrances, serving to Remedial and Student Hotels, Design Institute, and the Convention Centre, and are connected to the main system via the Main Alley.<\/p>\n<p><strong>A Challenging Design Wind: Time and Space Sequences<\/strong><\/p>\n<p>The main park square with its public inner courtyard, funicular system, The Tower, techno-market, GSM core, and whole-food and farmers&#8217; market operates as the hub of Band\u0131rma Urban Park bonding two major lines or rather spines of the proposal, i.e., the Main Alley and the Activity Corridor. There is a peculiar ring that is called as LOOP 60 (holding the contour line 60), carrying all existing and revitalized watch towers of the Site as vertical dots, for facilities and refreshments, e.g., newspaper seller, fresh juice box, snack bar, souvenirs, small kitchenette.<\/p>\n<p>The Biological Bridge represents one of the ecological and living forms of the park via transporting green between the park and Band\u0131rma as in the master plan, and connecting future habitat to the past, the Ancient City.<\/p>\n<p>There is an Open-air Sculpture Garden at the northwest end of military ruins that are turned into a museum, cafes, and workshops. That Open-air Garden will host sculptures for years produced by several sculptors in time as if it is a museum.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; disabled_on=&#8221;off|off|off&#8221; admin_label=&#8221;TABLE&#8221; _builder_version=&#8221;4.14.7&#8243; background_color=&#8221;#232323&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;30px||0px||false|false&#8221; custom_padding_tablet=&#8221;30px|45px|30px|45px|true|true&#8221; custom_padding_phone=&#8221;30px|30px|30px|30px|true|true&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.14.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.14.7&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;TABLO&#8221; module_class=&#8221;projectstable&#8221; _builder_version=&#8221;4.14.8&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;||||||||&#8221; header_3_text_color=&#8221;#BDBDBD&#8221; header_3_font_size=&#8221;26px&#8221; header_3_line_height=&#8221;1.6em&#8221; text_orientation=&#8221;justified&#8221; max_width=&#8221;870px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding=&#8221;30px|0px|30px|0px|false|true&#8221; custom_padding_tablet=&#8221;30px|90px|30px|90px|false|true&#8221; custom_padding_phone=&#8221;15px|0px|0px|0px|false|true&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; hover_enabled=&#8221;0&#8243; text_font_size_tablet=&#8221;18px&#8221; text_font_size_phone=&#8221;13px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; text_line_height_tablet=&#8221;1.3em&#8221; text_line_height_phone=&#8221;1.6em&#8221; text_line_height_last_edited=&#8221;off|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<table>\n<tbody>\n<tr>\n<td style=\"height: 23px; width: 288.328px;\">PROJE YER\u0130<\/td>\n<td style=\"height: 23px; width: 565.672px;\">Bal\u0131kesir, Band\u0131rma<\/td>\n<\/tr>\n<tr>\n<td style=\"height: 23px; width: 288.328px;\">PROJE T\u0130P\u0130<\/td>\n<td style=\"height: 23px; width: 565.672px;\">Other Education Buildings, Hotel \/ Motel, Park<\/td>\n<\/tr>\n<tr>\n<td style=\"height: 23px; width: 288.328px;\">PROJE T\u0130P\u0130 GRUBU<\/td>\n<td style=\"height: 23px; width: 565.672px;\">Participent<\/td>\n<\/tr>\n<tr>\n<td style=\"height: 50px; width: 288.328px;\">ORTAKLIK<\/td>\n<td style=\"height: 50px; width: 565.672px;\">ON Tasar\u0131m<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;CONTENT&#8221; _builder_version=&#8221;4.14.6&#8243; background_color=&#8221;#232323&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; custom_padding_tablet=&#8221;30px|45px|30px|45px|true|true&#8221; custom_padding_phone=&#8221;30px|30px|30px|30px|true|true&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.14.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;CONTENT&#8221; _builder_version=&#8221;4.14.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;justified&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>REFERANS<\/p>\n<p><a href=\"https:\/\/www.arkiv.com.tr\/proje\/katilimci-bandirma-tasarim-parki-yarismasi\/7480\" target=\"_blank\" rel=\"noopener\">https:\/\/www.arkiv.com.tr\/proje\/katilimci-bandirma-tasarim-parki-yarismasi\/7480<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Future Habitat Recall: Band\u0131rma Urban Park This Recall of a Habitat for the future finds its existence on Band\u0131rma Urban Park, i.e., given competition site. The project dwells upon the idea of maintaining the existing urban and natural contexts and architectural heritage, and integrating new proposal to Band\u0131rma urban culture. The project takes Band\u0131rma [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6681,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"Antropologlar, n\u00f6rologlar, arkeologlar, sosyologlar ve sanat tarih\u00e7ilerinin bir araya gelerek y\u00fcr\u00fctt\u00fckleri, insan beynindeki estetik kodlar, estetik alg\u0131m\u0131z\u0131n kaynaklar\u0131 ve nas\u0131l y\u00f6nlendi\u011fi ile ilgili yap\u0131lan bilimsel \u00e7al\u0131\u015fmalar ve bu \u00e7al\u0131\u015fmalar\u0131n sonu\u00e7lar\u0131 biz mimarlar\u0131 da yak\u0131ndan ilgilendirmekte. \u0130yi bir mimari tasar\u0131m\u0131n sadece estetik a\u00e7\u0131dan ho\u015f bir g\u00f6r\u00fcn\u00fcm\u00fc olma durumunu a\u015fan a\u00e7\u0131k psikolojik ve fizyolojik faydalar\u0131 oldu\u011funu g\u00f6steren kapsaml\u0131 ara\u015ft\u0131rmalar da bu \u00e7al\u0131\u015fmalar\u0131 desteklemekte. \u00d6zensiz-geli\u015fig\u00fczel mimari tasar\u0131m ve uygulamalar ile bu durumun insanlar \u00fczerindeki olumsuz fizyolojik ve psikolojik etkileri aras\u0131nda do\u011frudan bir ba\u011flant\u0131 oldu\u011fu da bu ara\u015ft\u0131rmalar sonucunda anla\u015f\u0131lmakta.\r\n\r\nSon on y\u0131llarda, fonksiyonel beyin g\u00f6r\u00fcnt\u00fcleme metodolojilerinin h\u0131zl\u0131 b\u00fcy\u00fcmesi, bili\u015fsel sinirbilimin felsefe ve sosyal bilimlerde a\u00e7\u0131k sorular\u0131 ele almas\u0131na izin verdi. Bili\u015fsel sinirbilim ara\u015ft\u0131rmalar\u0131 aras\u0131ndan yeni anlay\u0131\u015flar \u00e7e\u015fitli disiplinleri etkilemeye ba\u015flad\u0131 ve bu da planlama ve mimari tasar\u0131m alanlar\u0131nda farkl\u0131 bir bilin\u00e7 ve alg\u0131ya d\u00f6n\u00fc\u015fmeye yol a\u00e7t\u0131.\r\n\r\nZihin ve davran\u0131\u015flar\u0131n n\u00f6robiyolojik temellerini ke\u015ffetmek i\u00e7in yeni y\u00f6ntemler, mimari\u00a0<em>(\u00f6r. Mallgrave, 2011)<\/em>, planlama ve kentsel \u00e7al\u0131\u015fmalar\u00a0<em>(Portugali, 2004, 2011; van der Veen, 2012; de Lange, 2013)<\/em>\u00a0, co\u011frafya\u00a0<em>(Anderson ve Smith, 2001)<\/em>, sosyal bilimler ve be\u015feri bilimler\u00a0<em>(Leys, 2002)<\/em>\u00a0bili\u015fsel sinirbilime ve daha \u00f6zel olarak beyin g\u00f6r\u00fcnt\u00fclemeye a\u00e7\u0131lmaktad\u0131r. N\u00f6ro-ekonomi, n\u00f6ro-hukuk, n\u00f6ro-pazarlama ve hatta n\u00f6ro-mimari gibi yeni \u2018n\u00f6ro\u2019 \u00f6n d\u00fczeltmeli yeni disiplinler aras\u0131 alanlar ortaya \u00e7\u0131km\u0131\u015ft\u0131r. \u00c7ok \u00e7e\u015fitli alanlara y\u00f6nelik bir n\u00f6ro bilimsel yakla\u015f\u0131m\u0131n, farkl\u0131 alanlara deneysel temelli kan\u0131t par\u00e7alar\u0131 sunabildi\u011fi kan\u0131tlanm\u0131\u015ft\u0131r.\r\n\r\nG\u00fcn\u00fcm\u00fczde \u00e7ok boyutlu alg\u0131sal entegrasyon ve dokunma duyusunun mimari tasar\u0131mdaki rol\u00fc \u2018hapticity\u2019 kavram\u0131 ile ara\u015ft\u0131r\u0131lmaktad\u0131r. \u2018Hapticity\u2019 terimi yayg\u0131n olarak \u201cbedensel alg\u0131lar\u0131n duyusal entegrasyonu\u201d olarak tan\u0131mlan\u0131r\u00a0<em>(Pallasmaa, 2005, 2000)<\/em>\u00a0ve mimari deneyimde dokunsal temelli (yani genel olarak g\u00f6rsel olmayan temelli) alg\u0131 ve g\u00f6r\u00fcnt\u00fclerin \u00e7ok \u00f6nemli bir rol\u00fcn\u00fc ortaya koymaktad\u0131r. Finlandiyal\u0131 mimar ve teorisyen Pallasmaa, mimari takdirin temelini olu\u015fturacak ve ilkel duyusal y\u00f6ntem olarak hissetmeyi y\u00fcceltecek bir \u201cAlg\u0131da bilin\u00e7siz dokunsal bile\u015fen\u201d varl\u0131\u011f\u0131n\u0131 varsaymaktad\u0131r\u00a0<em>(Pallasmaa, 2005)<\/em>.\r\n\r\nBug\u00fcn tasar\u0131ma verilen psikolojik ve fizyolojik tepkilerin \u00e7o\u011funun insan\u0131n evrimsel temellerinden kaynakland\u0131\u011f\u0131n\u0131 daha iyi anl\u0131yoruz. \u015eu anda sahip oldu\u011fumuz bilgi ve teknolojiyi kullanarak, sadece estetik a\u00e7\u0131dan g\u00fczel de\u011fil, daha da \u00f6nemlisi psikolojik ve fizyolojik olarak iyile\u015ftirici ve ayn\u0131 zamanda estetik bir mimari yaratma f\u0131rsat\u0131na sahibiz.\r\n\r\n\u0130nsan davran\u0131\u015f\u0131, \u00f6nemli \u00f6l\u00e7\u00fcde, i\u00e7inde bulundu\u011fu ortam ve o ortam i\u00e7inde var olan kaynaklar taraf\u0131ndan belirlenir. Bir insan\u0131n mimari bir yap\u0131ya olan tepkilerinin temel iki fakt\u00f6re ba\u011fl\u0131 oldu\u011fu s\u00f6ylenebilir;\r\n<ul>\r\n \t<li>Yap\u0131ya ili\u015fkin fakt\u00f6rler: \u00c7evresi, karma\u015f\u0131kl\u0131\u011f\u0131-fonksiyon ak\u0131\u015fkanl\u0131\u011f\u0131, yenilik etkisi, i\u00e7inde tekrar eden d\u00fczenler bar\u0131nd\u0131rmas\u0131,<\/li>\r\n \t<li>Bireye ili\u015fkin fakt\u00f6rler: Bireyin ge\u00e7mi\u015f \u00e7evre deneyimleri, kal\u0131tsal kodlar\u0131, o yap\u0131da ge\u00e7irdi\u011fi s\u00fcre, ki\u015filik \u00f6zellikleri, e\u011fitimi (mimarl\u0131k ve sanat a\u011f\u0131rl\u0131kl\u0131 e\u011fitim alan ki\u015filerin tepkileri de\u011fi\u015febilmektedir.)<\/li>\r\n<\/ul>\r\nGenel tan\u0131mlamalar\u0131n ve somut de\u011ferlendirmelerin yan\u0131 s\u0131ra; her insan benzersiz oldu\u011fu i\u00e7in, her bireyin karma\u015f\u0131kl\u0131k kar\u015f\u0131s\u0131nda, k\u0131smi ve ge\u00e7mi\u015f deneyimlerden kaynaklanan \u00e7evresel uyaranlara verdi\u011fi tepkileri farkl\u0131 olabilece\u011finden tercihleri de farkl\u0131 olabilir. Bireyler, haf\u0131zalar\u0131ndaki deneyimlerle de tan\u0131mlanan hayatta kalma ihtiya\u00e7lar\u0131na \u00f6zel olarak en yararl\u0131 bulduklar\u0131 \u00f6zelliklere sahip olarak ya\u015fama iste\u011findedirler.\r\n\r\nKonuyu ba\u015fka bir a\u00e7\u0131dan ele ald\u0131\u011f\u0131m\u0131zda ise, \u00fczerinde mimari yap\u0131lar in\u015fa etti\u011fimiz ve birlikte ya\u015fad\u0131\u011f\u0131m\u0131z toplumun kolektif zihnini anlamak; ger\u00e7ekli\u011fin, efsanelerin ve hayal g\u00fcc\u00fcn\u00fcn topraklar\u0131nda mimarl\u0131k yapmak i\u00e7in bu co\u011frafyan\u0131n ilham\u0131n\u0131 ta\u015f\u0131yan mimarinin izlerini s\u00fcrmek de yine n\u00f6ro-estetik yakla\u015f\u0131mla yeni bir boyut kazanabilir.\r\n\r\n\u201cG\u00fcnl\u00fck ya\u015famlar\u0131m\u0131z\u0131 kaplayan anlams\u0131zl\u0131k hissi, bu \u2018ilk\u2019in kayb\u0131ndan m\u0131 kaynaklanmaktad\u0131r?\u201d\u00a0<em>(Frank Llyod Wright, An American Architecture, 1955)<\/em>\u00a0ya da Heideggervari bir yakla\u015f\u0131mla mimarinin \u00f6z\u00fc, anlam\u0131 kodlar\u0131m\u0131zda m\u0131 gizlidir? Mimari yap\u0131lar\u0131n i\u015fe yarar bir s\u0131\u011f\u0131nak olman\u0131n \u00f6tesine ge\u00e7i\u015f s\u0131rr\u0131n\u0131 \u00e7\u00f6zebilir mi? Ya\u015fam\u0131n, \u00f6l\u00fcm\u00fcn, \u00f6l\u00fcms\u00fczl\u00fc\u011f\u00fcn, an\u0131tsall\u0131\u011f\u0131n ve k\u00fclt\u00fcrel izlerin bulu\u015fma noktas\u0131nda mimarinin yerini daha da somutla\u015ft\u0131rabilir mi?\r\n\r\nN\u00f6ro-bilimlerin mek\u00e2nlar\u0131n tasar\u0131m\u0131na biyolojik olarak ilham veren i\u00e7g\u00f6r\u00fcleri bizlere sunmay\u0131 vaat etmesi ve disiplinler aras\u0131 yakla\u015f\u0131mlar; insanlar\u0131n davran\u0131\u015f, sa\u011fl\u0131k ve esenlikleri i\u00e7in geli\u015fimlerine katk\u0131da bulunacak ortamlar\u0131n olu\u015fumunu desteklemektedir.\r\n\r\n\u0130ki bin y\u0131l \u00f6nce, Vitruvius \u2018yap\u0131n\u0131n g\u00fczelli\u011fini\u2019 mimari tasar\u0131m\u0131n \u00fc\u00e7 temel boyutundan biri olarak vurgulam\u0131\u015ft\u0131. Vitruvius \u00fc\u00e7l\u00fcs\u00fc ile. 1. Yap\u0131n\u0131n g\u00fc\u00e7l\u00fc ve stabil olmas\u0131 (firmitas), yap\u0131da ya\u015fayanlar\u0131n fonksiyonel ihtiya\u00e7lar\u0131n\u0131 kar\u015f\u0131lamas\u0131 (utilitas) ve 3.olarak da estetik duygular\u0131na hitap etmesi gereklili\u011fi yap\u0131n\u0131n vazge\u00e7ilmez \u00fc\u00e7 unsuruydu. D\u00fcnyadaki bir\u00e7ok k\u00fclt\u00fcr; estetik deneyimi insan yap\u0131s\u0131nda hayati bir unsur olarak g\u00f6rm\u00fc\u015ft\u00fcr. Yine binlerce y\u0131l boyunca, Hint Vastu ve \u00c7in Feng Shui gibi tarihi do\u011fu in\u015faat uygulamalar\u0131, in\u015fa edilmi\u015f ortamda uzamsal uyum ve estetik tutarl\u0131l\u0131k yaratmak i\u00e7in somut rehberler sunmu\u015ftur.\r\n\r\nMalzeme tasar\u0131m\u0131 ve yap\u0131 m\u00fchendisli\u011findeki ilerlemeler, daha \u00f6nce hi\u00e7 olmad\u0131\u011f\u0131 kadar uzun \u00f6m\u00fcrl\u00fc ve sa\u011flam binalar\u0131n in\u015fas\u0131na olanak tan\u0131d\u0131ktan sonra; bu e\u011filim, yakla\u015f\u0131k bir as\u0131r \u00f6nce ba\u015flayan, yap\u0131n\u0131n bir makine olarak g\u00f6r\u00fclmesi kavram\u0131n\u0131n ve onunla ili\u015fkili olarak \u00a0\u201cform i\u015flevi izler\u201d inanc\u0131 ile farkl\u0131 bir boyut kazand\u0131. Frank Lloyd Wright yap\u0131lar\u0131nda form i\u015flevseli izliyordu fakat oransal ve estetik inceliklerle. Ayn\u0131 oransal incelikleri izlemeyen sadece i\u015flevsellik ta\u015f\u0131yan yap\u0131lar\u0131n \u00e7o\u011falmas\u0131 ise sa\u011fl\u0131\u011f\u0131m\u0131z\u0131 da etkileyen i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z y\u00fczy\u0131l\u0131n en olumsuz sorunlar\u0131ndan biri.\r\n\r\nGeli\u015fig\u00fczel yap\u0131lar\u0131n bask\u0131n yo\u011funlu\u011fu d\u0131\u015f\u0131nda ise son y\u0131llardaki mimari e\u011filim, yap\u0131n\u0131n insan deneyimine olan katk\u0131s\u0131. Bug\u00fcn, kentlerde bir\u00e7ok insan hayatlar\u0131n\u0131n % 90\u2019\u0131n\u0131 binalarda ge\u00e7irmekte\u00a0<em>(Evans ve McCoy, 1998)<\/em>. \u00c7al\u0131\u015fmalar mimarl\u0131\u011f\u0131n estetik niteliklerinin ruh hali, bili\u015fsel i\u015flevler, davran\u0131\u015flar ve hatta ruh sa\u011fl\u0131\u011f\u0131m\u0131z \u00fczerinde bir etkiye sahip oldu\u011funu g\u00f6stermektedir\u00a0<em>(Adams, 2014; Cooper, Burton ve Cooper, 2014; Hartig, 2008; Joye, 2007).<\/em>\r\n\r\nEdmund Burke\u2019un belirtti\u011fi gibi \u201cG\u00fczellik, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde, duyular\u0131n m\u00fcdahalesi ile insan zihnine mekanik olarak etki eden bedenlerdeki kalitedir\u201d\u00a0<em>(Burke, 1767, p. 175)<\/em>. Duyusal a\u011flar mimari deneyimin anahtarlar\u0131d\u0131r. \u00c7evresel \u00f6zellikler; g\u00f6rsel, i\u015fitsel, somatosensoriyel sistem, vestib\u00fcler ve koku alma sinir a\u011flar\u0131m\u0131z\u0131 farkl\u0131 \u015fekilde uyar\u0131r. Bu duyumlar, nesnelerin uygunlu\u011fu, yakla\u015fma ve ka\u00e7\u0131nma tepkileri ve in\u015fa edilmi\u015f alanlarda gezinme gibi alt motor tepkilerine ba\u011fl\u0131d\u0131r\u00a0<em>(Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience, Alex Coburn, Oshin Vartanian, Anjan Chatterjee).<\/em>\r\n\r\nYine ara\u015ft\u0131rmalar insan beyninin estetik alg\u0131s\u0131nda do\u011fa kal\u0131plar\u0131n\u0131n ciddi bir yeri oldu\u011funu g\u00f6steriyor. Beynimizin do\u011faya benzer g\u00f6rselleri tan\u0131mas\u0131n\u0131n do\u011frudan bir sonucu olan bu durumun stresi azaltma yetenekleri de var. Do\u011fal tasar\u0131m \u00f6\u011felerinin olumlu etkisi, geli\u015fmi\u015f bir psikolojik refah duygusundan daha derine inebilir. \u0130yile\u015ftirici ortamlar, ad\u0131ndan da anla\u015f\u0131laca\u011f\u0131 gibi, iyile\u015fme s\u00fcre\u00e7lerini te\u015fvik eden\u00a0 ortamlard\u0131r. Sadece do\u011fayla ve bu ortamlarla temas halinde olmak, bu s\u00fcreci harekete ge\u00e7irmek i\u00e7in yeterli olabilir.\r\n\r\nDo\u011fa ile birlikte hareket eden organik mimarinin yan\u0131 s\u0131ra do\u011fay\u0131 birebir taklit eden yap\u0131lar da mimarl\u0131k tarihimizin bir par\u00e7as\u0131.\r\n\r\n[caption id=\"attachment_4554\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4554 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/Sagrada-Familia-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: All Canada Photos \/ Alamy Stock Photo)[\/caption]\r\n\r\nGaudi\u2019nin \u0130spanya, Barselona\u2019daki eserlerinin en iddial\u0131s\u0131 Sagrada Familia katedralidir. Katedralin muhte\u015fem i\u00e7 mekan\u0131, duaya davet eden bir orman fikrinden ilham al\u0131r. A\u011fa\u00e7 benzeri s\u00fctunlar, destek i\u00e7in \u00e7at\u0131n\u0131n yak\u0131n\u0131nda dallan\u0131r ve aralar\u0131nda \u00e7at\u0131 pencereleri \u0131\u015f\u0131\u011f\u0131 yans\u0131tan ye\u015fil ve alt\u0131n renkli camlar i\u00e7erir.\r\n\r\n[caption id=\"attachment_4555\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4555 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/National-Taichung-Theater-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: Chao-Yang Chan \/ Alamy Stock Photo)[\/caption]\r\n\r\nToyo Ito, Tayvan\u2019\u0131n Taichung \u015fehrinde Ulusal Taichung Tiyatrosu tasar\u0131m\u0131 i\u00e7in kayalar\u0131n, ma\u011faralar\u0131n ve suyun ak\u0131\u015f\u0131ndan ilham alm\u0131\u015ft\u0131r.\r\n\r\n[caption id=\"attachment_4556\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4556 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/Eden-Project-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: Caitlin Mogridge\/Redferns via Getty Images)[\/caption]\r\n\r\n\u0130ngiltere, Cornwall\u2019daki Bodelva k\u00f6y\u00fcn\u00fcn yak\u0131n\u0131ndaki bir kil \u00e7ukurunda yer alan Eden Projesi, tropikal ya\u011fmur ormanlar\u0131ndan ve Akdeniz\u2019den ola\u011fan\u00fcst\u00fc bir bitki t\u00fcr\u00fc koleksiyonuna ev sahipli\u011fi yapmaktad\u0131r. Mimar Nicholas Grimshaw\u2019un devasa \u015feffaf yar\u0131 k\u00fcresel tasar\u0131mlar\u0131, sabun k\u00f6p\u00fc\u011f\u00fc \u015feklinden ilham alarak, binan\u0131n \u201c\u00c7ekirdek\u201d e\u011fitim merkezi, \u00e7am kozalaklar\u0131, ananas, ay\u00e7i\u00e7e\u011fi ve salyangoz kabuklar\u0131 gibi bir\u00e7ok do\u011fal nesnede bulunan Fibonacci spiral desenini taklit etmektedir.\r\n\r\n[caption id=\"attachment_4557\" align=\"alignnone\" width=\"1024\"]<img class=\"wp-image-4557 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/Algae-house-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" \/> (Credit: Novarc Images \/ Alamy Stock Photo)[\/caption]\r\n\r\nAlmanya\u2019n\u0131n Hamburg\u2019daki ola\u011fan\u00fcst\u00fc \u201cyosun evi\u201d veya BIQ binas\u0131 asl\u0131nda canl\u0131 maddeleri \u2013 mikroalgleri \u2013 tasar\u0131m\u0131na dahil ediyor. Ye\u015fil renkli kulenin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde \u015feffaf y\u00fczeyinin bir taraf\u0131nda, binaya giren \u0131\u015f\u0131\u011f\u0131 kontrol edebilen ve gerekti\u011finde g\u00f6lge sa\u011flayabilen k\u00fc\u00e7\u00fck, b\u00fcy\u00fcyen algler bulunuyor. Bu cephe ayn\u0131 zamanda d\u00fcnyan\u0131n ilk \u201cbiyoreakt\u00f6r cephesi\u201d \u00f6rne\u011fidir. \u015eeffaf kabuk i\u00e7erisinde \u00fcretilen algler, binan\u0131n y\u00fczeyinden ge\u00e7en bir su devresi ile s\u00fcrekli olarak besinler ve karbondioksit ile beslenir. Algler bir g\u00fcne\u015f filtresi olu\u015fturur. Yeterli miktarda yosun b\u00fcy\u00fcd\u00fc\u011f\u00fcnde binaya tedarik i\u00e7in biyogaz (hammaddelerden yap\u0131lm\u0131\u015f yenilenebilir bir enerji kayna\u011f\u0131) yapmak i\u00e7in hasat edilebilir ve kullan\u0131labilir hale geliyor. Bu ak\u0131ll\u0131 bina 2013\u2019te Hamburg\u2019daki Uluslararas\u0131 Yap\u0131 Fuar\u0131 i\u00e7in bir prototip olarak tamamlanm\u0131\u015ft\u0131.\r\n\r\n<a href=\"http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature\" target=\"_blank\" rel=\"noopener\">http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature<\/a>\r\n\r\nBir ba\u015fka \u00f6rnek ise Don Ruggles\u2019\u0131n 2017\u2019 de tespit etti\u011fi bir\u00e7ok tarihi ve estetik mimari yap\u0131n\u0131n 9 kare desenine uygun olarak tasarland\u0131\u011f\u0131d\u0131r. Dokuz Kare deseninin mimaride pop\u00fclerli\u011fine katk\u0131da bulunan bir di\u011fer \u00f6nemli fakt\u00f6r\u00fcn, insan y\u00fcz\u00fcn\u00fcn yap\u0131s\u0131na benzerli\u011finde bulunabilir. Y\u00fcz tan\u0131ma insan \u0131rk\u0131n\u0131n en b\u00fcy\u00fck hayatta kalma adaptasyonlar\u0131ndan biridir. Asl\u0131nda, bu o kadar kritiktir ki, yeni do\u011fmu\u015f bir \u00e7ocukta beynin n\u00f6ronal yap\u0131s\u0131n\u0131n% 65\u2019i y\u00fcz tan\u0131ma mekanizmalar\u0131na ayr\u0131lm\u0131\u015ft\u0131r. Buna ek olarak, y\u00fcz tan\u0131ma, kimlik, ya\u015f, cinsiyet ve duygu gibi \u015feyler de dahil olmak \u00fczere, bir zamanlar hayatta kalmak i\u00e7in gerekli olan bir \u00e7ok \u00f6nemli sosyal ipu\u00e7lar\u0131n\u0131n belirlenmesine yard\u0131mc\u0131 oluyordu.\r\n\r\n<img class=\"alignnone wp-image-4558 size-large\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2022\/01\/9-1024x300.png\" alt=\"\" width=\"1024\" height=\"300\" \/>\r\n\r\n9 kare desenine uygun olarak tasarlanm\u0131\u015f yap\u0131lardan baz\u0131lar\u0131; Barselona\u2019n\u0131n blok plan\u0131, Roma\u2019daki St.Peter Bazilikas\u0131, Hindistan\u2019daki Yunan Parthenon, Roma Pantheon ,Taj Mahal, Su evi, Richard Meier\u2019in 1965 Frederick J. Smith\u2019in \u0130kametgah\u0131 gibi\u00a0<em>(The Psychological Impact of Architectural Design, Natalie Ricci, December 4, 2017).<\/em>\r\n\r\nMimari tasar\u0131m alan\u0131n\u0131 yanl\u0131\u015f bir \u015fekilde bir sanat formu olarak etiketleyen ve b\u00f6ylece ger\u00e7ek toplumsal yarar potansiyeli olan bir alan olarak hak etti\u011fi anlaml\u0131 konumdan uzakla\u015fan mimari yap\u0131 anlay\u0131\u015f\u0131n\u0131 tekrar g\u00f6zden ge\u00e7irmemiz gereklidir. Mimarl\u0131\u011f\u0131n olumlu psikolojik ve onar\u0131c\u0131 etkisi, toplum taraf\u0131ndan de\u011fil, sadece psikologlar ve mimarlar taraf\u0131ndan g\u00f6r\u00fcl\u00fcrse de d\u00fc\u015f\u00fcncesiz-geli\u015fig\u00fczel mimari tasar\u0131mlar\u0131n psikolojik etkileri asla toplum taraf\u0131ndan ele al\u0131nmayacakt\u0131r. Y\u00fcksek k\u00fclt\u00fcrlerin d\u00fcnya \u00fczerine b\u0131rakt\u0131klar\u0131 izleri an\u0131tlar\u0131nda, evlerinde, k\u0131rsal alanlar\u0131nda, dini ve k\u00fclt\u00fcrel yap\u0131lar\u0131nda izleyebiliriz. Bu durum bizlerin de tarihe k\u00fclt\u00fcr\u00fcm\u00fczle ilgili b\u0131rakmak istedi\u011fimiz izler ile ilgilidir.\r\n\r\nKaynaklar:\r\n<ol>\r\n \t<li>Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience, Alex Coburn, Oshin Vartanian, Anjan Chatterjee 9, 2017<\/li>\r\n \t<li>The Psychological Impact of Architectural Design, Natalie Ricci, December 4, 2017<\/li>\r\n \t<li>When Neuroscience \u2018Touches\u2019 Architecture: From Hapticity to a Supramodal Functioning of the Human Brain, Paolo Papale, Leonardo Chiesi, Alessandra C. Rampinini, Pietro Pietrini and Emiliano Ricciardi 6, 2016<\/li>\r\n \t<li><a href=\"http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature\">http:\/\/www.bbc.com\/earth\/story\/20150913-nine-incredible-buildings-inspired-by-nature<\/a><\/li>\r\n \t<li><a href=\"https:\/\/www.bbc.com\/future\/article\/20170605-the-psychology-behind-your-citys-design\">https:\/\/www.bbc.com\/future\/article\/20170605-the-psychology-behind-your-citys-design<\/a><\/li>\r\n<\/ol>","_et_gb_content_width":"","rank_math_lock_modified_date":false,"footnotes":""},"categories":[82],"tags":[96],"class_list":["post-6661","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basin","tag-arkiv"],"acf":[],"_links":{"self":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/6661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/comments?post=6661"}],"version-history":[{"count":0,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/6661\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/media\/6681"}],"wp:attachment":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/media?parent=6661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/categories?post=6661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/tags?post=6661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}