{"id":14276,"date":"2026-09-12T10:00:00","date_gmt":"2026-09-12T07:00:00","guid":{"rendered":"https:\/\/aurads.com\/?p=14276"},"modified":"2026-10-09T16:19:19","modified_gmt":"2026-10-09T13:19:19","slug":"insanlar-birbirine-benzedi-cunku-mimari-projeler-birbirine-benzedi","status":"publish","type":"post","link":"https:\/\/aurads.com\/tr\/insanlar-birbirine-benzedi-cunku-mimari-projeler-birbirine-benzedi\/","title":{"rendered":"\u0130nsanlar Birbirine Benzedi \u00c7\u00fcnk\u00fc Mimari Projeler Birbirine Benzedi"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_margin=&#8221;0px||0px||true|false&#8221;][et_pb_row _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; 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a:hover{border-color:#302f2b}.ab-rel{border-top:1px solid #d9d5cc;padding-top:34px;margin-bottom:70px}.ab-rel-t{font-size:11px;letter-spacing:.14em;color:#777;margin-bottom:22px}.ab-rel-g{display:grid;grid-template-columns:repeat(3,1fr);gap:20px}.ab-rel-g a{display:block}.ab-rel-g img{display:block;width:100%;aspect-ratio:2.05\/1;object-fit:cover}.ab-rel-g .ph{aspect-ratio:2.05\/1;background:#ece8e1;display:flex;align-items:center;justify-content:center;font-size:26px;color:#888}body.aura-blog .ab-wrap .ab-rel-g h4{font-family:'Cormorant Garamond',Georgia,serif!important;font-weight:400!important;font-size:20px!important;line-height:1.25!important;margin:14px 0 6px!important;color:#302f2b!important;padding:0!important}.ab-rel-g a,.ab-rel-g h4,.ab-rel-g small{text-align:left!important}.ab-rel-g small{font-size:10px;letter-spacing:.1em;color:#777}.ab-foot{max-width:1200px;margin:0 auto;padding:0 40px 50px}.ab-foot div{border-top:1px solid #d9d5cc;padding-top:28px;display:flex;justify-content:space-between;align-items:center;gap:20px}.ab-foot img{height:42px;width:auto;display:block}.ab-foot span{font-size:10px;letter-spacing:.14em}@media(max-width:767px){ body.aura-blog #main-header{background:transparent!important} .ab-wrap{padding-top:96px} .ab-split{grid-template-columns:1fr;gap:10px} .ab-stats{display:grid;grid-template-columns:1fr 1fr;gap:0 20px;margin-bottom:10px} .ab-stats em{grid-column:1\/-1} .ab-diag{grid-template-columns:1fr;padding:28px 20px} .ab-rel-g{grid-template-columns:1fr 1fr} .ab-hero img{aspect-ratio:16\/9} .ab-tl div{grid-template-columns:82px 1fr} .ab-tl span{white-space:nowrap} .ab-foot{padding:0 20px 36px} .ab-foot div{flex-direction:column;align-items:flex-start}}<\/style>\n<div class=\"ab-wrap\">\n<div class=\"ab-art\">\n<div class=\"ab-meta\">M\u0130MARLIK \/ KENT \/ K\u0130ML\u0130K \/ 4 DK OKUMA<\/div>\n<h1 class=\"ab-h1\">\u0130nsanlar Birbirine Benzedi \u00c7\u00fcnk\u00fc Mimari Projeler Birbirine Benzedi<\/h1>\n<pee class=\"ab-sub\">&quot;\u00d6nce binalar\u0131m\u0131z\u0131 \u015fekillendiririz; sonra onlar bizi \u015fekillendirir.&quot;<\/pee>\n<div class=\"ab-by\">Filiz Cingi Yurdakul<\/div>\n<figure class=\"ab-hero\"><img decoding=\"async\" class=\"bw\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2026\/10\/aura-blog-people-alike.jpg\" alt=\"\u0130nsanlar Birbirine Benzedi \u00c7\u00fcnk\u00fc Mimari Projeler Birbirine Benzedi\"><figcaption>Aura ana sayfas\u0131ndaki yaz\u0131 g\u00f6rseli<\/figcaption><\/figure>\n<div class=\"ab-body\"><pee>Bu s\u00f6z y\u0131llard\u0131r mimarl\u0131k d\u00fcnyas\u0131nda dola\u015f\u0131yor. \u00c7o\u011fu zaman romantik bulunuyor. Oysa bug\u00fcn \u00e7evresel psikoloji, n\u00f6romimarl\u0131k ve kent ara\u015ft\u0131rmalar\u0131 bunun yaln\u0131zca g\u00fczel bir metafor olmad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. \u0130\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z mek\u00e2nlar; nas\u0131l y\u00fcr\u00fcd\u00fc\u011f\u00fcm\u00fcz\u00fc, nas\u0131l kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z\u0131 ne kadar sosyalle\u015fti\u011fimizi ne kadar strese girdi\u011fimizi ve hatta d\u00fcnyay\u0131 nas\u0131l alg\u0131lad\u0131\u011f\u0131m\u0131z\u0131 etkiliyor.<\/pee><pee>Farkl\u0131 co\u011frafyalar, farkl\u0131 k\u00fclt\u00fcrler. Ama ayn\u0131 cam kuleler, ayn\u0131 rezidans lobileri, ayn\u0131 a\u00e7\u0131k mutfaklar, ayn\u0131 al\u0131\u015fveri\u015f merkezleri, ayn\u0131 zincir kafeler, ayn\u0131 ofis katlar\u0131.<\/pee><pee>Bir zamanlar \u015fehirler birbirine benzemiyordu. Bug\u00fcn ise \u00e7o\u011fu yeni yap\u0131, bulundu\u011fu yere ait olmaktan \u00e7ok k\u00fcresel bir katalogdan se\u00e7ilmi\u015f gibi duruyor.<\/pee><pee>Kent kuramc\u0131s\u0131 ve antropolog Marc Aug\u00e9 bu durumu &quot;non-place&quot; \u2014 yersiz mek\u00e2n \u2014 kavram\u0131yla a\u00e7\u0131kl\u0131yor. Ona g\u00f6re havaalanlar\u0131, al\u0131\u015fveri\u015f merkezleri, zincir oteller ve giderek \u015fehirlerin b\u00fcy\u00fck b\u00f6l\u00fcm\u00fc; tarihini, kimli\u011fini ve aidiyet duygusunu kaybetmeye ba\u015flad\u0131. Sonu\u00e7 olarak &quot;her yer, her yere benziyor.&quot;<\/pee><pee>Bence sorun yaln\u0131zca mimari estetik de\u011fil.<\/pee><pee>Sorun, bu mek\u00e2nlar\u0131n ayn\u0131 ya\u015fam bi\u00e7imini \u00fcretmeye ba\u015flamas\u0131. \u00c7\u00fcnk\u00fc her mek\u00e2n bize g\u00f6r\u00fcnmez bi\u00e7imde bir davran\u0131\u015f \u00f6neriyor: y\u00fcksek duvarlar birbirimizi g\u00f6rmemeyi \u00f6\u011fretiyor, kapal\u0131 siteler yabanc\u0131yla ili\u015fki kurmamay\u0131 \u00f6\u011fretiyor, devasa otoparklar y\u00fcr\u00fcmemeyi \u00f6\u011fretiyor, do\u011fadan kopuk yap\u0131lar mevsimleri unutturuyor. Tek tip konut planlar\u0131 ise tek tip g\u00fcndelik al\u0131\u015fkanl\u0131klar \u00fcretiyor.<\/pee><pee>Tam da bu nedenle Danimarkal\u0131 \u015fehir planc\u0131s\u0131 Jan Gehl, elli y\u0131l\u0131 a\u015fk\u0131n ara\u015ft\u0131rmas\u0131n\u0131n sonunda mimarl\u0131\u011f\u0131n asl\u0131nda binalardan \u00e7ok &quot;binalar\u0131n aras\u0131ndaki ya\u015fam\u0131&quot; tasarlamas\u0131 gerekti\u011fini s\u00f6yledi. Gehl&#x27;in en \u00f6nemli ke\u015ffi \u015fuydu: \u015fehirler \u00f6nce otomobiller i\u00e7in tasarland\u0131\u011f\u0131nda insanlar kamusal ya\u015famdan \u00e7ekiliyor; ancak sokaklar yeniden insanlar i\u00e7in d\u00fczenlendi\u011finde \u015fehir daha canl\u0131, daha g\u00fcvenli, daha sa\u011fl\u0131kl\u0131 ve daha ya\u015fanabilir h\u00e2le geliyor. Bu yaln\u0131zca bir g\u00f6r\u00fc\u015f de\u011fil \u2014 y\u0131llarca s\u00fcren g\u00f6zlemlerin sonucunda geli\u015ftirilen bir tasar\u0131m yakla\u015f\u0131m\u0131.<\/pee><pee>Bug\u00fcn bu ili\u015fkiyi yaln\u0131zca \u015fehir planc\u0131lar\u0131 de\u011fil, n\u00f6robilimciler de ara\u015ft\u0131r\u0131yor. 2025 y\u0131l\u0131nda yay\u0131mlanan kapsaml\u0131 bir sistematik derleme, yap\u0131l\u0131 \u00e7evrenin insanlar\u0131n duygular\u0131n\u0131, stres d\u00fczeylerini, dikkatini ve davran\u0131\u015flar\u0131n\u0131 \u00f6l\u00e7\u00fclebilir bi\u00e7imde etkiledi\u011fini g\u00f6steriyor. Kalp ritmi, g\u00f6z hareketleri, EEG ve di\u011fer biyometrik veriler art\u0131k mimarl\u0131\u011f\u0131n insan \u00fczerindeki etkisini nesnel olarak inceleyebiliyor. Yani art\u0131k yaln\u0131zca &quot;mek\u00e2n bizi etkiliyor gibi geliyor&quot; demiyoruz; bunu \u00f6l\u00e7ebiliyoruz.<\/pee><pee>Elbette burada \u00f6nemli bir ayr\u0131m yapmak gerekiyor.<\/pee><pee>Mimarl\u0131k insan karakterini tek ba\u015f\u0131na belirlemez. Richard Buday&#x27;\u0131n da vurgulad\u0131\u011f\u0131 gibi insan davran\u0131\u015f\u0131; aile, k\u00fclt\u00fcr, biyoloji ve sosyal \u00e7evre gibi bir\u00e7ok de\u011fi\u015fkenin ortak \u00fcr\u00fcn\u00fcd\u00fcr. Ancak mimarl\u0131k bu davran\u0131\u015flar\u0131 kolayla\u015ft\u0131rabilir, zorla\u015ft\u0131rabilir veya y\u00f6nlendirebilir. \u0130yi tasarlanm\u0131\u015f bir yap\u0131 tek ba\u015f\u0131na daha iyi insanlar yaratmaz; ama iyi davran\u0131\u015flar\u0131n ortaya \u00e7\u0131kabilece\u011fi zemini haz\u0131rlayabilir.<\/pee><pee>Benim as\u0131l kayg\u0131m tam da burada ba\u015fl\u0131yor. Biz bug\u00fcn \u015fehirlerimizi giderek ayn\u0131la\u015ft\u0131r\u0131yoruz. Sonra neden insanlar\u0131n ayn\u0131 kafelerde oturdu\u011funu, ayn\u0131 hayatlar\u0131 ya\u015fad\u0131\u011f\u0131n\u0131, ayn\u0131 \u015fekilde d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc, ayn\u0131 deneyimleri t\u00fcketti\u011fini merak ediyoruz.<\/pee><pee>Belki de sorun insanlarda de\u011fildir. Belki sorun, onlar\u0131n her g\u00fcn tekrar tekrar ya\u015famak zorunda b\u0131rak\u0131ld\u0131\u011f\u0131 mek\u00e2nsal senaryolardad\u0131r. Yani mek\u00e2n yaln\u0131zca bir fon de\u011fildir; toplumsal ya\u015fam\u0131n aktif bir \u00fcreticisidir.<\/pee><pee>Bu y\u00fczden art\u0131k mimarl\u0131\u011f\u0131n yeni sorusu \u015fu olmal\u0131: &quot;Daha ikonik bir bina nas\u0131l tasarlar\u0131z?&quot; de\u011fil \u2014 &quot;\u0130nsanlar\u0131n kendi karakter ve k\u00fclt\u00fcrlerine uygun olarak farkl\u0131 ya\u015fayabilece\u011fi mek\u00e2nlar\u0131 nas\u0131l tasarlar\u0131z?&quot; \u00c7\u00fcnk\u00fc kentlerin kimli\u011fi yaln\u0131zca cephelerinde de\u011fil, \u00fcrettikleri ya\u015fam bi\u00e7iminde sakl\u0131d\u0131r.<\/pee><pee>Belki de yaz\u0131n\u0131n ba\u015f\u0131ndaki c\u00fcmleyi bug\u00fcn \u015f\u00f6yle d\u00fczeltmek gerekir: insanlar\u0131 birbirine benzeten \u015fey, mimarinin kendisi de\u011fil; mimarinin zamanla \u00fcretti\u011fi, birbirine benzeyen ya\u015fam bi\u00e7imleridir.<\/pee><\/div>\n<section class=\"ab-refs\">\n<h3>Kaynak\u00e7a<\/h3>\n<pee>Aug\u00e9, M. (1995). Non-Places: Introduction to an Anthropology of Supermodernity. Verso.<\/pee><pee>Alexander, C., Ishikawa, S., &amp; Silverstein, M. (1977). A Pattern Language. Oxford University Press.<\/pee><pee>Buday, R. (2020). Do Buildings Really Shape Human Behavior? Common Edge. \u0130nsan davran\u0131\u015f\u0131n\u0131n mimarl\u0131k, sosyal \u00e7evre ve bireysel etkenlerin etkile\u015fimiyle \u015fekillendi\u011fini tart\u0131\u015fan ele\u015ftirel bir de\u011ferlendirme.<\/pee><pee>Gehl, J. (1971\/2011). Life Between Buildings. Island Press.<\/pee><pee>Gehl, J. (2010). Cities for People. Island Press.<\/pee><pee>Gehl \u00fczerine s\u00f6yle\u015fi ve kent ya\u015fam\u0131na etkileri: Jan Gehl \u2013 Urban Visionary.<\/pee><pee>Hillier, B., &amp; Hanson, J. (1984). The Social Logic of Space. Cambridge University Press.<\/pee><pee>Karimi, K. (2018). Space Syntax: Consolidation and Transformation of an Urban Research Field. Journal of Urban Design. Mek\u00e2nsal organizasyonun hareket, sosyal etkile\u015fim ve kent ya\u015fam\u0131 \u00fczerindeki etkilerini \u00f6zetleyen \u00f6nemli bir derleme.<\/pee><pee>Li, Z., Lee, J. H., Yao, L., &amp; Ostwald, M. J. (2025). Impact of Built Environments on Human Perception: A Systematic Review of Physiological Measures and Machine Learning. Journal of Building Engineering. Yap\u0131l\u0131 \u00e7evrenin insan alg\u0131s\u0131, stres, dikkat ve duygular \u00fczerindeki etkilerini n\u00f6rofizyolojik verilerle inceleyen g\u00fcncel sistematik derleme.<\/pee><pee>Pallasmaa, J. (2005). The Eyes of the Skin: Architecture and the Senses. Wiley.<\/pee><pee>Anderson, D. (2020). Why Every City Feels the Same Now. The Atlantic. K\u00fcreselle\u015fmenin kent kimli\u011fi ve &quot;yersizlik&quot; duygusu \u00fczerindeki etkisini tart\u0131\u015fan \u00f6nemli bir yorum yaz\u0131s\u0131.<\/pee><\/section>\n<div class=\"ab-author\"><img decoding=\"async\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2026\/10\/aura-blog-author-filiz.jpg\" alt=\"Filiz Cingi Yurdakul\"><\/p>\n<div>\n<div class=\"n\">Filiz Cingi Yurdakul<\/div>\n<div class=\"r\">Founder &amp; Design Director \u00b7 Aura Design Studio<\/div>\n<p><a href=\"https:\/\/aurads.com\/tr\/blog\/\">Mimarl\u0131k, kent ve hayat \u00fczerine di\u011fer yaz\u0131lar\u0131 \u2192<\/a><\/div>\n<\/div>\n<div class=\"ab-rel\">\n<div class=\"ab-rel-t\">DEVAMINI OKUYUN<\/div>\n<div class=\"ab-rel-g\"><a href=\"https:\/\/aurads.com\/tr\/babaannem-bir-universite-ogrencisiyle-yasasaydi\/\"><img decoding=\"async\" class=\"bw\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2026\/10\/aura-blog-grandmother-student.jpg\" alt=\"\" loading=\"lazy\"><\/p>\n<h4>Babaannem bir \u00fcniversite \u00f6\u011frencisi ile ya\u015fasayd\u0131<\/h4>\n<p><\/a><a href=\"https:\/\/aurads.com\/tr\/ankarada-trafik-degil-sehir-modeli-tikandi\/\"><img decoding=\"async\" class=\"bw\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2026\/10\/aura-blog-ankara-traffic.jpg\" alt=\"\" loading=\"lazy\"><\/p>\n<h4>Ankara\u2019da Trafik De\u011fil, \u015eehir Modeli T\u0131kand\u0131<\/h4>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<footer class=\"ab-foot\">\n<div><img decoding=\"async\" src=\"https:\/\/aurads.com\/wp-content\/uploads\/2026\/10\/aura-logo-black-final.png\" alt=\"Aura Design Studio\"><span>M\u0130MARLIK \u00b7 KENT \u00b7 HAYAT<\/span><\/div>\n<\/footer>\n<\/div>\n<p><script>document.body.classList.add('aura-blog');(function(){var U='https:\/\/aurads.com\/wp-content\/uploads\/2026\/10\/aura-logo-black-final.png';var sw=function(){var l=document.getElementById('logo');if(l){l.src=U;l.removeAttribute('srcset');l.removeAttribute('sizes');}document.querySelectorAll('.taptap-logo-image img,.taptap-logo-primary img').forEach(function(i){i.src=U;i.removeAttribute('srcset');i.removeAttribute('sizes');});};sw();document.addEventListener('DOMContentLoaded',sw);window.addEventListener('load',sw);})();<\/script>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mek\u00e2n yaln\u0131zca bir fon de\u011fildir. Kentlerin kimli\u011fi, \u00fcrettikleri ya\u015fam bi\u00e7iminde sakl\u0131d\u0131r.<\/p>\n","protected":false},"author":1,"featured_media":14253,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","rank_math_lock_modified_date":false,"footnotes":""},"categories":[80],"tags":[],"class_list":["post-14276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arastirmalar-tr"],"acf":[],"_links":{"self":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/14276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/comments?post=14276"}],"version-history":[{"count":10,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/14276\/revisions"}],"predecessor-version":[{"id":14633,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/posts\/14276\/revisions\/14633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/media\/14253"}],"wp:attachment":[{"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/media?parent=14276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/categories?post=14276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aurads.com\/tr\/wp-json\/wp\/v2\/tags?post=14276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}